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Blazing Saddles: The Art of the Stereotype
Mel Brooks never met a stereotype he couldn’t upend. The classic Hollywood cowboy is always white. Mel Brooks’s Hollywood cowboy is black. And his Indian chief speaks Yiddish. Designer: Ricardo Galvez....
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Young Frankenstein: The Art of the Homage
For Mel Brooks the spoofing is in the details. The classic Hollywood Horror film is always black-and-white and includes scene transitions like iris outs, wipes and fades to black. Mel Brooks’s...
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Spaceballs: The Art of the Trope (or, making the cliché absurd)
What came first: the Mel Brooks movie or the cliché? The classic Hollywood Sci-Fi spaceship always gets gratuitous screentime from every camera angle. Mel Brooks’s Hollywood spaceship appears in a...
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